“We like to call it movement-based comedy,� says Pete Betcher, one of the founders of The Back Pack. “It’s a little bit of dance, it’s a little bit of media, it’s a little bit of theater, all kind of blended into one thing. It ends up being very fast paced.�
The Back Pack’s current show, Wear and Tear, like all of their works, is a fast-paced, energetic, and dialogue-free show that gives the impression of spontaneity even though it’s meticulously planned out.
“Everything is very tightly choreographed and planned out. A lot of people accidentally call it improv because it has that very playful nature to it, but it is definitely not improvised,� Betcher says. “It is very tightly choreographed.�
“Down to the second,� adds Katie Kohler, also a founding member of the troupe.
The members of The Back Pack have created a new type of physical performance � Kohler says “when I’m selling the show to people, I’m like, ‘I promise you’ve never seen anything like it,’� � but it draws inspiration from many earlier physical comedians.
“It takes a lot of inspiration from older media types. A lot of people will describe it [as] similar to the feel of an old cartoon. Just because it has that whimsy and� it could go anywhere at any moment, [with] no explanation as to why,� says Betcher.
“But it’s got some of the cleverness of Looney Tunes,� Kohler adds.
“And there’s also like a little I Love Lucy, a little Mr. Bean thrown in there too,� Betcher continues. “There’s some old classic clowning.�
The Back Pack has been honing their craft for about ten years now. “We’ve been working together for about a decade. I guess the format started when we were in college. One of our friends� was producing a ten-minute play festival,� says Kohler. “And she was scrapped for content and was like, ‘Just do something. Do anything.� And we were like, ‘Do we have to talk? Do we have to write a play?� And she was like, ‘I don’t care.� And so we brought her this. And it was really well received.�
“Our main shtick � why we’re called The Back Pack � is we wear these pads of paper that are layered anywhere from twenty to sixty papers deep on each of us,� Betcher explains. “And so as the show goes on, we rip off those pages to reveal new costumes, new props, new characters, new settings.�
“I tell people [to] just come and have fun. It’s a fun show, don’t overthink it. There’s nothing to get. It’s just entertaining,� Kohler says. “We write for adults, but you can bring your kids. Kids love us, because we’re, I guess, absurd and whimsical and just that. There’s no deeper meaning unless you want there to be. And you can find that on your own.�